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Safehouse presents: Rachel Musson, Olie Brice and Mark Sanders Trio

  • The Rose Hill 70 Rose Hill Terrace Brighton, England, BN1 4JL United Kingdom (map)

Sunday 19th June | 5pm | £7 /£5 members

Three exceptional improvising musicians in the form of the trio of Olie Brice (double bass), Rachel Musson (saxophone) and Mark Sanders (drums).

Rachel Musson

Rachel Musson is a saxophonist, improviser and composer living in London, UK. She is involved with a variety of improvisation projects, and works regularly with Mark Sanders, Pat Thomas, Hannah Marshall, Julie Kjaer, Corey Mwamba, Olie Brice, Alex Ward, Alex Hawkins amongst others.

“A free-improviser sensitive to melody-like narrative and dramatic pacing” – John Fordham, The Guardian

Mark Sanders

Mark has worked with a host of renowned musicians including Derek Bailey, Henry Grimes, Mathew Shipp, Evan Parker, Roswell Rudd, in duo and quartets with Wadada Leo Smith and trios with Charles Gayle with Sirone and William Parker.

In situations using composition Mark works in a number of projects including Christian Marclay’s Everyday for film and live music and John Butcher’s Tarab Cuts – both projects have performed major festivals throughout Europe and Brazil. He has performed works by guitarist John Coxon in Glasgow and Sydney playing with the Scottish and Sydney Symphony Orchestras. With New York’s ICE Ensemble he has performed John Zorn’s The Tempest in London and at Huddersfield New Music Festival.

“ubiquitous, diverse and constantly creative, drummer Mark Sanders always outdoes himself, whether playing with restraint or erupting like a dynamo.” Bruce L Gallenter, Downtown Music Gallery. NY

Olie Brice

Olie Brice is an improvising double bassist from London. He leads two bands – a quintet that plays his original compositions and a freely improvising trio featuring Tobias Delius and Mark Sanders. He has also worked with musicians including Paul Dunmall, Tony Malaby, Steve Swell, Achim Kaufmann, Alex Ward and Ingrid Laubrock.

“Brice makes the entire body of his bass sing. He has the ability to deliver a fractal line that is as purposeful as any by the great jazz bassists, but to do so within an entirely abstract setting” – Brian Morton, Point of Departure

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